Sunday, June 24, 2018

I have to add, that after watching The Project on Sunday night and Lisa Wilkinson's interview with Kate and Rozanne Lilley, I think these women are truly amazing and I admire them immensely. They simply told their story of a disfunctional upbringing by their mother, Dorothy Hewett. Kate Lilley read a poem which was very heartfelt and poignant about her underage sexual abuse. Her new book of poetry is called Tilt by Vagabond Press.

 
Kate Lilley read her poem Party Favour on the program. Here's a short excerpt.

 
I'll tell my mother and she'll say
she asked him he said I was into it
from then on I know it's pointless
she's not on my side
From Party Favour



The daughters of Dorothy Hewett, Kate and Rozanne Lilley have come out publicly and spoken about the sexual abuse they received as children. Kate Lilley was raped at the age of 15 (under the age of consent) and Rosanne was subjected to paedophile acts from the age of 11, 12 & 13, Just about every paper in the country has covered their story: The Australian, The Sydney Morning Herald,  The Daily Telegraph, The Saturday Paper and The Courier Mail.

Dorothy Hewett is remembered as a leading poet, playwright and novelist. Admired for her passionate and politically charged writing, she was made a Member of the Order of Australia (AM) for her services to literature in 1986. But what will happen to her legacy in the light of revelations of the sexual abuse of her teenage daughters? Sisters Kate and Rozanna Lilley say they were sexually assaulted by the men who visited the family home in the 1970s. The abuse, they say, was encouraged by their mother.

A CURRENT LEGACY IN HEWETT'S NAME
The Dorothy Hewett Award is a $10,000 prize for an unpublished manuscript conducted by UWA Publishing.

In a recent statement by the Managing Director Terri-Ann White the award title will not be changed.
White states that she has spoken to Kate Lilley about the award and claims that - [quote} If the family were to instruct us to change our position we would do so, but this is not the intention of Dorothy’s daughters to the ongoing legacy of her writing. [end quote].
    However, this appears as "hearsay" and cannot be substantiated since it has not been published in the public domain or an exact quote documented. Neither has the Lilley sisters mentioned this in an interview on the ABC, and in fact have had this to say.
    "I think that a lot of the blowback saying that we're harming Mum's reputation is really just in disguise a critique of men from that generation, the kind of men who abused us and their supporters, who don't want their behaviour to be examined."
    Lilley says that her mother's work has always been polarising, with many finding her confronting descriptions of sex distasteful.
    I find not renaming the UWA Publishing award - distasteful, ignorant and an act of bloody-mindedness. Why have I written this blogpost? I am an unpublished novelist and in all consciousness have to take a moral stand, so my efforts to have the award name changed are close to the bone. I have entered the competition twice now, but in all honesty cannot enter this UWA award that touts the name DOROTHY HEWETT. In fact, I have binned my three books of Hewett's poetry!
This is an email I have recently written to the head of writing in WA, CEO Sharon Flindell of writingWA.

Dear Sharon (et al)
As a writer I am now concerned with the news of sexual abuse of Dorothy Hewett's daughters published in The Australian, The Sydney Morning Herald, The Daily Telegraph, The Saturday Paper, and how this taints her name and the Dorothy Hewett Award 2019. As our representative in the WA writing community pressure should be brought to bear on UWA Publishing and Managing Editor Terri-Ann White to rename the award. The latter unfortunately to date refuses to change the name. Going into the future how can any writer take pleasure in receiving an honour under the name of a dishonourable person? And since I have entered the award many times over, and may so again, I would not want to see my hard work associated with a woman who allowed vile paedophilic acts to occur. We cannot compartmentalize what Dorothy Hewett achieved as a writer with her current fall from grace and the sexual abuse of her children. This is a watershed moment in the history of West Australian literature and action needs to be swift in support of all emerging writers.
Perhaps your 2 day forum on publishing on 10-11th July would be an ideal place to raise the issue as a moral dilemma for writers.

Yours truly
Helen Hagemann
Quote from the Sydney Morning Herald - https://www.smh.com.au/entertainment/books/dorothy-hewett-s-daughters-say-grown-men-preyed-on-them-as-children-20180611-p4zku7.html It took years for Hewett's daughter Kate Lilley, a poet, to fully comprehend what happened when she was still legally a child - and many more to speak out about it.
The English professor says she was raped at the age of 15 by a well-known Australian poet who is still alive. She says a film producer sexually assaulted her during a drug- and alcohol-fuelled party several months earlier.
Her sister, writer and autism researcher Rozanna Lilley, also experienced sexual assault. She names the late playwright and former Labor speechwriter Bob Ellis – who died of liver cancer in 2016 – as one of the perpetrators.
Another Dorothy Hewett Article in the Saturday Paper
https://www.thesaturdaypaper.com.au/2018/06/16/dorothy-hewett-bob-ellis-art-and-exploitation/15290712006379 




UPDATE; NO ASAL'S PUBLICATION OF CHANGE OF RULES
I have been advised that the "RULES" for the Mary Gilmore were discussed at the ASAL's AGM in 2017. A little conference apparently between the board and the hierarchy of past judges. It appears that from now on the award is discretionary, but according to Consumer Rights and I have read some of the new 2011 laws to protect individuals, this may contravene consumer rights according to consumer protection (See rules link below). The general public now in Australia have rights and protections in place to halt this kind of surreptitious activity. Above you will notice a "Screen Shot" (taken 28/5/2018) of the current rules that clearly state 'a first book' - not second, not third, not anything else after chapbook publications. If the ASAL had changed the rules back in 2017, then it should have been clearly stated on their website, applied legally to the two poets short-listed in 2018 who have had previous chapbooks, and also made public in the media (eg the ABR/ASALwebsite and to publishers). They failed the duties of the award, failed to make the change of rules public and have failed the short-listed poets WHO DO HAVE A FIRST BOOK! Under the Australian National Law according to the ACCC, these sort of backroom dealings that have previously occurred in the general community are no longer lawful. The ACCC was formed to protect the rights of consumers and individuals. An award such as the Mary Gilmore Award does not escape this scrutiny: The guardians of this award have failed to notify the general Australian literary establishment, they are culpable for not establishing changes in 2018, appearing to neglect notifying these changes from their AGM. This cannot happen in 2018, this surreptitious collusion between the upper echelons, current judges, past judges and the Association for the Study of Australian Literature cannot happen in 2018!
Here's a link about CHANGE OF RULES.
https://www.commerce.wa.gov.au/consumer-protection/changing-your-rules

Disclaimer: These are my personal opinions as I have been affected by the Mary Gilmore Award in 2010 and therefore wish to state that my post is "without prejudice" to any party.

Sunday, June 10, 2018


Emerald: Of Forest and Stone by Paula Lang
My rating: 4 of 5 stars

With echoes of Stephenie Meyer's Twilight Series and The Lord of the Rings, Paula Lang has published her first fantasy novel Emerald: Of Forest and Stone. While the Twilight Saga and The Lord of the Rings has made it to film and also to the top of the best seller list, it is interesting to note that it is younger readers that have made this possible. Why is this so? My theory as a reviewer of adult fiction is that the new and ever-evolving generations of kids have fresh eyes and minds on what they like; they like something new, something netherworld, and surreal stories they can get lost in. Take for example, the Harry Potter Series. Young readers absorbed J K Rowling's literature at a faster rate than has ever been seen before. They all waited patiently for each new book, they all took that quantum leap of faith for her characters, loved wizardry and magic not known to them before, and astounded parents, adults and reviewers alike.
While coming to grips with reviewing Paula Lang's new book, I decided to read some of the "adult" reviews of Meyer's Twilight Saga and surprisingly, though not really, they found them trite, bizarre and hated the 'glittery vampire thing.' However, these novels were a market for the younger reader, the Generation X, and still are a market for the Millennials and Post-Millennials.
Lang's fantasy novel, or should I say, her fan fiction is also meant for that readership. Younger minds can get their head around the myriad of characters all laid out neatly as Preface pages of the book. And on the back blurb we are told that the main protagonist is Layla. Layla has the ability to "shape-shift" and is the only female ever to receive this gift, a duty bestowed on her as part of the Connor pack to protect her people. Similarly, symbolic to Thetis - Greek goddess of the sea who was particularly known as a shape-shifter: when Peleus desired to marry her, she transformed herself into fire, water, a lion, and a serpent in order to escape him. Lang's inclusion of her character Layla who is struggling to find balance and happiness in her life is an interesting juxtaposition to Greek mythology since "Shape-Shifting" is the quest for permanence and stability in a world of seemingly ceaseless destruction and change.
As mentioned previously, this book while reviewed here on Goodreads, should be marketed to teenagers and young adult readers. Especially, those readers who have enjoyed Harry Potter, the Twilight Series and The Lord of the Rings. Readers of science-fiction and fantasy novels often enjoy these other-worlds that do not exist in realism.
I also believe that the market prefers one main protagonist and one main point of view, and I would also argue that this lightweight fiction makes lazy readers of us all. Let us not get into the position of criticising a work for its many characters, it's imagined, surreal worlds of vampires, wolves, wolf ancestor spirits, half-humans, and full humans. Brian Stoker brought us Dracula, Mary Shelley brought us Frankenstein, and Buffy and companions fought an increasing variety of demons, as well as ghosts, werewolves, zombies, and unscrupulous humans.
I admire an author who takes risks. Paula Lang has taken that risk with a work of dense proportions. Self-publishing is not an easy road to take, but often a necessary one for a beginner writer.
Here's a section of writing (among many others) that I found to be excellent!
Chapter 15 - No Balance.
Without stopping to see if her mother was home, Layla ran to the bathroom. Overwhelmed by her anxiety and confusion, she dry retched into the toilet. Everything she had learned and knew of her existence was unravelling.
What was it that made it so hard for her to accept the Ambroses and Natanual? Was it the fear of losing control?
She had been disarmed at Jack’s; she had felt Beatrice’s affection and the humility of Natanual. She wasn’t meant to feel anything from them or for them.
She cleaned herself up and headed to the beach to think.
Sitting looking out at the ocean, she let her tears freely run down her cheeks. She wiped her face dry with her sleeve and looked up at the sky, trying to blink the rest away.
Again, she caught the scent as she wiped her eyes and face. It was the scent of orange blossom; to her dismay, she liked it.
Layla reached into her jacket pocket and pulled out her necklace. Her chest burned, overwhelmed with the disdain she felt for herself and the guilt for indulging in the intoxicating scent that permeated from it.
The necklace also had the smell of citrus, but also of other blended spices, of leather, and of him.
Layla looked more closely at how it had been mended. Natanual had replaced the leather cord. She remembered the tribal necklaces he wore when he first arrived; the cord was the same.
In an action that was totally driven like a drug addict wanting and needing more, she cupped the necklace in her hands and breathed in deeply, drinking in its divine scent.
It smelled dangerous, earthy, human, and beautiful.
Catching herself and disgusted with her actions, Layla didn’t know whether she would vomit again or faint; her head swam with guilt and confusion.
Needing to get home before Shay, Layla jumped down from the log. Reaching the road, she ran herself hard without stopping, trying to burn away her emotion.

In her bedroom, she took a small wooden jewellery box out from her bedside drawer and tipped out the contents.
Still catching her breath, she put the necklace inside instead. Snapping it shut, its smooth and flush closing mechanism locked the scent in tight.
Layla then threw the box angrily away into the back of her wardrobe and out of her thoughts.


Helen Hagemann (c) 2018

View all my reviews

Bounty

Bounty
Prose Poetry

The Five Lives of Ms Bennett

The Five Lives of Ms Bennett
A Family Saga

The Ozone Cafe

The Ozone Cafe
White Collar Crime

The Last Asbestos Town

The Last Asbestos Town
Available from Amazon

Evangelyne

Evangelyne
Published by Australian Poetry Centre, Melbourne

of Arc & Shadow

of Arc & Shadow
Published by Sunline Press, WA

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Perth, Western Australia, Australia
Helen Hagemann holds an MA in Writing from Edith Cowan University, has three poetry books: Evangelyne & Other Poems published by Australian Poetry, Melbourne (2009) and of Arc & Shadow published by Sunline Press, Perth (2013). Bounty: prose poetry is published by Oz.one Publishing in 2024. She has three novels published The Last Asbestos Town (2020), The Ozone Café (2021) and The Five Lives of Ms Bennett a result of her Masters degree at ECU (2006), is published by Oz.one Publishing (2023).

Helen Hagemann MBA (Wrtg): ECowan

Helen Hagemann MBA (Wrtg): ECowan
Author & Poet

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