Thursday, September 20, 2012


Dog at the Crossroads

 


          All knowledge, the totality of all questions and all answers is
          contained in the dog.  Franz Kafka 

 A kelpie-cross waits at crossroads, morning

to dusk. At dusk wet from the mist, and in the

morning the breeze chilling her back.

Snout to damp grass, she hears an oak tree quivering

the volume of it, a distant grating on stones.

Ears in the dignity of listening.

Her back twitches with a horsefly touch, sending

a shudder to the base of her tail.

Two horses in a nearby paddock are nothing.

Three geese on the lake are nothing. 


Chickens at the back door are nothing.

Only people matter.

Someone passes her pooled eyes,

caught in that outward stare.

Prescience shows on her face

as if she is one of Pavlov’s dogs.

Two gates are pulled backward like oars.

One hand waves her on, two hands

click the latch, behind.

Her tail tracks like a metronome,

her legs swoop into the long grass,

her body braids a pathway, loosening vines.

There are things that you do not know.

The privacy of her.

The way she travels into shadows,  or milkweed,


those second thoughts before a walk or run.

Is that her silence echoing back from a measured stealth?

When the sun sinks into the blue tops of trees

and mist rings the valley, she turns halfway to laid scents,

runs back to the crossroads, the curve of lake

with the lights on it, to the paddocks of horses,

the same patch, and her body in it.








Wednesday, September 19, 2012



Sunday, September 16, 2012


Saucy


This man with the sauce bottle
has great hands
his shirt a neon sign
but it suits his silver hair
carved, brushed skin.
I imagine undressing him
in a room
where he smiles
etches information
into our private sleep.
Perhaps we're drinking coffee
from each other's lips
buying chips and fish
enjoying layers of the day.
Then I return to my first draft
of Lake-side Friends.
The rest of my poem
I gift to him.


Saturday, September 15, 2012




Black Hairy Caterpillar

After the charge around the room,
the black caterpillar curled not to move,
I walked away without knowing if he
would turn around, stick his tongue out.

The weight he pulls is heavy
all those legs underneath, the tall
assemblage of hairs, flashing red face
navigating a wall with no ears.

He goes forward with timid stiffness,
climbs down to the floor, door opening.
He starts to run, sliding first, his body
bowing up like a Greek symbol.

I couldn't hold him back. Could you?
Beating the air with his tiny heart,
dreaming of a windswept courtyard
of quiet, of space, of leaf matter.

When I least expect, he's back.
No change on his face, legs and hairs
spread along the gutter. Will he fall?
Be swallowed by some greedy mouth?

I think of the creatures of Sylvia Plath.
The ones she wrote in a poem. Would
she say? 'The weight of his life is small.
Let be. Let be.'

Tuesday, September 11, 2012



Lost Property

To be alone in the wide room                                                                     
In the house’s crooked elbow, turning point                                                
For extensions as the family grew                                                               
And grew – and grew – to be alone in the one room                                     
Nobody needed now, though it might be resumed                                       
Like land, for guests or blow-ins, at any moment,                                         
Without notice (and that was part of                                                           
The appeal, the very tenuous feel of the place), to play there                        
At five or six to be immersed though not safe among the things                    
That proceeded you, immediate and limitless,                                             
Everything already there, the way the world went on                                   
Before you were thought of, the flux, and your small-child                            
Leisure for introspection while others shinnied trees for the same                 
Sense of endless outlook, here,                                                                  
In this would-be attic brought down to earth, whose breath                         
Was frosty on Mother Shipton’s well, holding the tossed refuse                     
Of older siblings, stages shrugged off: limp tutus, ping as dropped               
Gum blossom, too big, though you stepped                                                
Into them and stood, as if in a fairy ring you might animate:                        
Satin and tapshoes, toe-shoes from a sister’s long gone bit-part                   
In Hans Christian Andersen, poems called Off the Shelf                               
That you avidly grabbed for your own, puzzled                                          
At faded marginal doodles in real ink:                                                        
Dark ocarina whose holes you could never master,                                     
Bakelite cracked, spookily fake-organic,                                                    
As if a new kind of reptile had laid it,                                                         
And a distant, shadowy instrument, lipped, where fingers should sit,            
With verdigris your father later chastised you for rubbing –                          
An oboe perhaps – resisting your grip, but venting                                     
A slow corruption in you as descant,                                                         
Its distant kin in this vast orchestral silence:
Strange octagon you toyed with that would never quite close or open,
Squeeze box, little lung resisting pressure, push and draw, your hands
Impeded from fully parting or meeting, stretching
In musical secretion, cat’s cradle ectoplasm,
Crimped membrane so vulnerable to puncture,
It made you wince, lantern-thin but giving sound
For illumination. At last: harmonica, cupped, bracketed but not
For all that an afterthought, heart of the whole unpeopled
Space, for the way it moulded to your own small wheeze
And gave it a different life, if a pleasure to the player only,
Pleasure to make your mouth water, metal, felt, and papery
Velvet, though your brother might shudder
At the old spit he imagined pooled there,
To your it was honeycomb,
Striving to isolate each note, then giving up,
As if you had many voices at once, speaking in chords,
And could make yourself heard.

- Tracy Ryan

Monday, September 10, 2012

I will be reading my poetry from my new collection "of Arc & Shadow" at the Perth Poetry Club on Saturday, 22nd September: 2-4pm. Venue: The Moon Cafe,  323 William Street, Northbridge. Poets are usually given a 10 minute time slot and I will also be appearing with Alan Hancock, a new voice in poetry.  My selection may even include, dah, dah! Purple Swamphens.  Check out their other guests for September through to November, 2012. http://www.perthpoetryclub.com/22-sep-helen-hagemann-alan-hancock-joanna-neave
All welcome!

Saturday, September 8, 2012





Purple Swamphens


some purple hides near the tail
they go on making it from blue
gradually you become aware
of their bill in red, turquoise chest
to tiny face, white undertail,
brown and orange feet

the only purple is a distant view
of perfumed jacaranda
when purple is floral and warm
it settles on the sky over slatted roofs
when you go down to the water’s edge
Swamphens run in pairs, black tails
flicking Morse code amongst the reeds

an exquisite creature, runs a four-way spread
of feet as a fretwork to its flighty footwork

when purple socks hang to dry
you go on seeing that swamp-bird fly
not wade to the bank on the other side
purple socks fly in the wind, and when snug
inside your shoes, that space between foot
and cuff can’t be seen
much like the purple
on a black and Purple Swamphen 

Photographs by Helen Hagemann (c)

Wednesday, September 5, 2012



Bounty

Bounty
Prose Poetry

The Five Lives of Ms Bennett

The Five Lives of Ms Bennett
A Family Saga

The Ozone Cafe

The Ozone Cafe
White Collar Crime

The Last Asbestos Town

The Last Asbestos Town
Available from Amazon

Evangelyne

Evangelyne
Published by Australian Poetry Centre, Melbourne

of Arc & Shadow

of Arc & Shadow
Published by Sunline Press, WA

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MBA (Wrtg) ECowan

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Perth, Western Australia, Australia
Helen Hagemann holds an MA in Writing from Edith Cowan University, has three poetry books: Evangelyne & Other Poems published by Australian Poetry, Melbourne (2009) and of Arc & Shadow published by Sunline Press, Perth (2013). Bounty: prose poetry is published by Oz.one Publishing in 2024. She has three novels published The Last Asbestos Town (2020), The Ozone Café (2021) and The Five Lives of Ms Bennett a result of her Masters degree at ECU (2006), is published by Oz.one Publishing (2023).

Helen Hagemann MBA (Wrtg): ECowan

Helen Hagemann MBA (Wrtg): ECowan
Author & Poet

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