Wednesday, June 7, 2017

Artwork: Arts Centre Cafe by Daniela Selir (1994)

Entering this competition as part of my writing practice. My story is a bit bleak, however the artist Daniela Selir would have known about the Fremantle Arts Centre as a historic women's lunatic asylum (1865-1901). A blue figure on the top right hand dormer window is not there by chance. And so I have capitalized on this, the knowledge of the cafe, its history and because I teach there each Friday fortnight. The cafe being the writers' favourite place at midday.

The 2017 City of Rockingham Short Fiction Awards offers more than $5000 in prizes.

A Brush with Blue

I wanted the day to go faster, the morning to take its course. I walked by the comfort of the ocean, over the bridge, past the cubed design. I reached my favourite place, the Arts Centre Café, had a glass of mulled wine. It was soothing and delicious. I never made it at home. I couldn’t put a finger on it, but there was something peaceful about the complex: vintage rooms, very gothic, artists mingling, the general public enjoying exhibitions, as well as the coffee.
      I told the receptionist about the cardigan I’d left behind, and that I’d return the keys so she wouldn’t worry. I knew where the window was. Found the dark room, eased open the latch, lifted the frame slowly and climbed out onto the roof. Not much point rushing things. Midday under the blue canvas umbrellas, and the courtyard was packed mostly with women, laughing, chatting over tea cups. Probably been to an art class; pastels, water colours or ceramics, something like that. I wanted to do oils once, before the baby.
      I was too young to have a baby. Alex, my boyfriend, was passive and wouldn’t help, or discuss my desire to terminate the pregnancy. When I went full term, my parents doted endlessly, pleased about having a grandson, the little fellow’s fuzz of black hair, running in the family. Said his little ears sat like pressed cauliflowers alongside his head. Father laughed at the bright twinkle in his opal eyes. Like stained-glass windows or more like a bright morning vista, rising over the hillsides.
      At six months, I couldn’t believe he was real. The birth certificate stated he was real. And all the baby photographs that lined the window coffee table showed little grasping fingers touching everything; a padded bottom sagging in blue leggings, spring bouncer hanging from the doorway.


An empty space left.  I put the bouncer in the recycle bin. It had lifted the paint, leaving two holes in the lintel.
      The handyman never turned up.
      I couldn’t bear to look at the photographs any longer, so I shoved them in the bottom drawer.
      Alex didn’t feel sorry for me. He blamed me. ‘I told you, over and over, get some help.’ That’s all he could ever say, when he was around. Three nights a week he went out, down the pub, to a card game or to footy training. He never even changed a nappy. He didn’t like the crying. I didn’t get any sleep, either. So I don’t miss his nagging. Blah, blah, blah! ‘This is wrong, that’s wrong, what’s to eat?’
      He wasn’t going to marry me anyway. Good riddance to bad rubbish.
      I had a suitcase packed for a long time. Just wanted out, too many questions. Why this, why didn’t you do that? The baby looked so still. I couldn’t see the colour of his eyes anymore. All babies’ eyes are blue, aren’t they?  
      Father said I needed to rest. I wondered about the severe conversations with the doc outside the door. I think they said I wasn’t to mix the vodka with the pills.  Ha!
      I know I had the baby, but I didn’t recognise him as a baby. He was Conrad. Conrad wouldn’t stop crying. I screamed at him. I screamed at this creature, this vile creature. Screamed and screamed at the blood on the wall.
      Oh! the headaches, my temples pounded. My parents only nodded and cajoled, but they didn’t understand. They couldn’t help, and they wouldn’t answer their phone, but that was when mother got sick. At the time, I grew afraid of the dark. I know that sounds stupid, coming from a grown up, but the dark side scared me.


I cried like a baby when mother died. One year after Conrad.  Father stayed barefoot and remained in his dressing gown all day.  I waited for his voice to return. Sometimes it worked and sometimes it didn’t. He got all choked up.
      Last night I went to the river. The waterfront was not considered a safe place because of other drowning victims. Hundreds each year took the long plunge off the bridge, and hundreds more simply waded into the water. I thought it would be easier there as despair collects in the night’s veil of humidity. I thought I heard someone scrabbling up the bank, and there was a trace of a foul, brown odour. I guessed mud or detritus. But it was as if the river had regurgitated one of its dead. Late into the night, it wasn’t uncommon to see writhing shapes caught in the tidal stream, or the black symmetry of heads bobbing in the little hollows of waves. I had to tell myself they were just shadows made by the pattern of the moon’s glow.
      I had to get out of there. I walked towards the Town Hall. It was late, but I managed to grab a newspaper left in front of a newsagent stand. There was nowhere to leave any money, so I figured I owed them.
      The river was a horrifying place, that’s why when I woke this morning, the idea of sneaking through that window at the Arts Centre occurred to me; a curtainless window high enough on the second floor so that I could look out over the lawns, treetops and gardens. An old historic building, peaceful in its repose. I knew I could climb higher if I had to, secure myself behind a chimney stack before finding the right ledge, the right footing. The secret is, you never look down, only up or sideways.
      I had been there an hour when I heard a loud siren. It scarred the life out of me, but I managed to hang on. Some sort of fire drill, I assumed. I could hear voices closer to the windowed room, then a series of muffles and thudding shoes descending the stairs.
      One o’clock and classes seem finished. Not the diners in the café, though. I wanted all the women to go home, I wished really hard that they would all go home.
      What? What a commotion! Hey!  What the…? One of the women, who I spotted earlier under an umbrella, butted out her cigarette, her puff of smoke aimed towards me. The café waiters, three in all, had gathered in the courtyard, their necks craned upward. Someone pointed at me, calling out a nasty profanity. Another café patron arched his hands like window shades over his eyes, his face askew.
      The air burst an arrangement of shouts, ambulance and other sirens. Not again, I thought. It happened last year, and the year before. They’ll show my diaphanous dress on the seven o’clock news. They always spoil things for us.
      I heard the constant, crazed megaphone pleas. Now a man in uniform raised the window higher, held his hand out towards me. I couldn’t believe that such a large body could squeeze through that tiny space. So this time, I decided to move around to the east wing. Down below, there was a man in a white coat, other uniforms, someone calling. I spotted six or seven firemen guiding a white trampoline into position, and this policeman barely able to walk over the slated roof, reached out again, begging me in a silly voice, the five fingers on his right hand splayed out, wavering them back and forth like he was trying to grab my fragile, svelte body.

      I didn’t want another man, touching me, ever again, so I jumped.


Copyright (c) 2017

Thursday, June 1, 2017


Reflexive Writing Lesson Workshop
Ideas for Prose Workshops

In the past I have uploaded first drafts of my writing, including poetry, flash fiction, short stories and novel chapters.  I have had some success as a published poet, however, writing like most artistic pursuits does not attract an income. On my new blog, I have included "Creative Writing Lessons" for sale @ $5 (via DDT/email) or $8 PAYPAL.
All my lessons are structured, highly researched and readily available for the conscientious writer/tutor/teacher, and your support would be most welcomed.
Check out these lessons at Writing at the Centre -
http://writingatcentre.blogspot.com.au/

Email @ hagemann_helen@hotmail.com for a DDT
OR
PAYPAL: Note PayPal also has Credit Card facility

Monday, May 29, 2017

https://www.instagram.com/helenhagemannwriter/

Social media has its benefits for the writer. I especially like Instagram where I can upload all my photographs of nature, the cat, holidays and the like. I decided to reveal my true identity on all social media channels. After all, what is the point of hiding under a pseudonym or a moniker of your initials. I am Helen Hagemann, mother, grandmother, friend, nature lover, editor, reviewer of poetry and amateur photographer. I also write! To date, I have several poetry books, two novel manuscripts and I am writing a third novel called 'The Last Asbestos Town'.  This latest novel is about the eradication of  "ALL" asbestos from the world. So it's set in the future when there is public enemy No. 1. In other words, too many people are dying from asbestos related diseases and the commodity has to be destroyed whether in pure or established form. My novel focuses on one town, "Farmbridge" and is loosely based on Collie, WA. Fortunate for me, having visited the town many times I have the perfect building. The local Girl Guide Hall - a perfect setting for a murder, a ghost, and a building that wants to be saved!



Wednesday, April 5, 2017









Wednesday, December 21, 2016




It's amazing what you notice when on holidays from work. I have noticed that my page Fiction Reviews has been empty for a long time. However, now that I have time, here are some short reviews for your summer reading.  Click on the link below.
http://helenhagemann.blogspot.com.au/p/fiction-reviews.html 


AlAlso on Goodreads
https://www.goodreads.com/review/list/7707961-helen-hagemann?shelf=reviews&utm_campaign=mybooksnav&utm_content=mybooks_cta&utm_medium=web&utm_source=homepage

Monday, November 7, 2016


My flash piece, A Break in the Weather has been awarded a "Highly Commended" in my writing group's competition (Out of the Asylum Writers Inc). So stoked! An even bigger break for me personally moving from poetry to prose!


A Break in the Weather

He sighed into the dismal drama of his life and battled on. There were days when he had little strength, moving forward with stiffness. He had a new home with squared windows and a robust roof. Yet he felt imprisoned after the entirety of green, the forest and the open sky. Although he walked under the same clouds, his garden had shrunk to an allotment size.
   Sometimes he heard his dead wife’s laughter, but knew that was an illusion. He saw the same faces in the convoy of early morning walkers and only had the company of his shadow when circuiting the park. A few dog owners drifted past, nodding, others crooned about Pippa or Bluey, and most were less impassioned about the weather. When they were gone there was nothing more to add. It would have been easier just to ring an empty bell.
    At night he watched TV, its flashes of colour and noise livening up the room. One evening he watched a program that gave him an idea to visit his local tavern.
    The main bar was dark and musty, mostly men his age seated on stools. On his second Friday night visit, he was hoping to chat to one regular who had previously spoken to him, but the man leaned on the crook of his arm, crouched at the bar, his empty glass propping up the sadness in his face. 
    Come this Saturday, the bartender said. We get a good crowd and usually a country music band. You'll have fun.
    The night wasn’t what he expected, and it brought a change to his face. A younger crowd greeted him. Handshakes and shoulders touched like a bridge. In that crossing, he encountered the simplicity of conversation over a round of beers. He noticed, above the hubbub of music, laughter and voices, all the young men sported beards. They were impressive, neat and tidy, colourful and not at all housing breakfast crumbs, toothpaste or foreign bodies.
   It's the rage now, said one fellow. Why not grow one and join the club?
   He went along every Saturday night. Why hadn't he thought of growing a beard before? In all his eighty years he had lathered and shaved, rinsed and patted.
   Overnight the hairs inched forward beginning as little brown wisps. He looked like Benjamin Disraeli. When it had grown and bushed out he resembled Sir John Forrest. After several months of growing it long and unkempt, he was Gandalf.
   The young men invited him to car trials, quiz nights, beard contests, and to zero birthdays. Mostly, it was a thirtieth or fortieth and the talk revolved around shapes, styles and colour. There was the Johnny Depp, the David Beckham, the Santa Claus, the goatee, the short-boxed and the stubble. Words like 'soul patch, terminal and mouche' suited his sensibilities. The men told him about a city barber where he could have his beard trimmed and coloured, but if he couldn't afford that, there was the beard trimmer at K-Mart.
   Each morning he splashed water on his face, and gazed at himself in the bathroom mirror. He was not a bearded Anthony Hopkins or George Clooney, but it was easy to see what had taken place. His old look had gone in a different direction while his new existence stared back at him with a neatly trimmed moustache and a bristling, Silverfox beard.


Wednesday, September 14, 2016

   
Sea Princess

A friend and I are off to Singapore for 5 nights. Later, it's the Sea Princess for 14 days of cruising in SE Asia, Vietnam, Cambodia, Thailand, Bali and Fremantle return. I hope to garner some great writing inspiration, but if not, what the heck, I'll just enjoy this lavish lifestyle. My good Sony Super Shot will be my travel journal.

Singapore
   This isn't about Ships

   This isn't really a poem about ships, about the Princess
   stateroom luxury, TV, WIFI, a queen-size bed.
   It's not about three meals, dining a la carte, room service 
   or first-class. Swimming pools on a lean in tropical seas,
   playing cards (casino style), nor is it about a morning's
   sauna before quoits, line-dancing, your feet treading a mill
   at the back of the gym. And it's certainly not about
   toasting champagne with eight others who have
   sailed a warm coastline to France or Rome.  
   It's not about lazying around on deck chairs, sun
   glowing in the hair, on a windless side. It should
   never be about theme or formal nights, deep voices
   embraced in karaoke song. It should never be about
   the nightly cabaret show,  "Knees up Mother Brown."      
  Can't imagine this poem ever stopping in old war zones.
  Vietnam, Cambodia should be - safe as temple gongs.
  Really this poem should be about the heart
  that exists, its disappointments, capriciousness,
  a rusting soul that looks for providence, one recent
  embrace that had no trust, all the players fudging
  their bets. And meanwhile you're ready to board ship
  with thoughts of stars, peachy moons, dockyards,
  ports, a static alphabet of names you can't forget,
  and finally all you crave are trusting souls with your
  hard-earned credit, slippage into promised wharves;
  Bali - please don't be closed! Perhaps, one thing more
  that you can't leave out - a safe harbour home!


                  

Wednesday, August 3, 2016













Loves Lost

        You, my beloved lost in advance, my never-appeared: 
                       –  Du im Voraus by Rainer Maria Rilke


There are
So many lost ways to
Love.

No one willing to count
The differences
Your latest way

Is misshapen, cruel poem!
Mind what you say
How you send your words
Orchestrate the unknown

Love's poetry is for love
Open, passionate
The long, long kiss

Send no other
If there's charm, beauty

Desire, allure. If not
Send The Panther – the other
Composed by Rilke

It will pace, grow weary
In the hands
No heart to win or lose

It's just a panther pacing
Back and forth
An image in a cage




Thursday, May 5, 2016


The Blue Train

The train leaves, the way
blue enters into green
wagons are horseless,
the whistle blows in threes.

The day is calm,
and trees hide bees,
the tunes you hear have rhythm
in their wings.

It's a footstep day
to museum, gold and trams
a horse stands
aside purple ropes,
the whistle blows again.

It's turtle slow
a second clattery ride
an engine pulling blue
with nowhere to hide.

Friday, April 22, 2016

Loves Lost
        You, my beloved lost in advance, my never-appeared: 
                       –  Du im Voraus by Rainer Maria Rilke



There are
So many lost ways to
Love.

No one willing to count
The differences
Your latest way

Is misshapen, cruel poem!
Mind what you say
How you send your words
Orchestrate the unknown

Love's poetry is for love
Open, passionate
The long, long kiss

Send no other
If there's charm, beauty

Desire, allure. If not
Send The Panther the other

It will pace, grow weary
In the hands
No heart to win or lose

It's just a panther pacing
Back and forth
An image in a cage


 
The Panther

His vision, from the constantly passing bars,
has grown so weary that it cannot hold
anything else. It seems to him there are
a thousand bars; and behind the bars, no world.

As he paces in cramped circles, over and over,
the movement of his powerful soft strides
is like a ritual dance around a center
in which a mighty will stands paralyzed.

Only at times, the curtain of the pupils
lifts, quietly--. An image enters in,
rushes down through the tensed, arrested muscles,
plunges into the heart and is gone.


Du im Voraus

You, my beloved lost in advance, my never-appeared,
I don’t know which notes you prefer.
I no longer try, when what’s coming billows over me,
to recognise you. All the great
images in me, scenery learned at a distance:
towns and spires and bridges and un-
suspected turns in the roads
and the immensity of those countries
once traversed by gods:
grows to its meaning in me,
your meaning, elusive one.

Oh, the gardens you are,
oh, I saw them with such
hope. An open window
in a country house — and you nearly
stepped toward me, thoughtful. Alleys I found —
you had just gone along them,
and sometimes the shopkeepers’ mirrors
were still dizzy with you, and gave out, afraid,
my too-sudden image. — Who knows if the same
bird did not ring out through us
yesterday, separately, in the evening?

Thursday, April 21, 2016



One of my favourite Rilke poems. It's been a Rilke week, read my poem Loves Lost



Monday, April 11, 2016


Three children's poems published on the Australian Children's Poetry website and many thanks to writing colleague and editor Teena Raffa-Mulligan. I was inspired to write these three from Prompt #4 Texture.  "Walls" seems popular and posted here.
https://australianchildrenspoetry.com.au/2016/03/20/poem-of-the-day-320/



Walls

Some people love walls.
They keep in yelping dogs,
But never cats or birds.
No one sees them talking at night
Yet walls do talk – to each other.
They compare positions, compositions.
Are they stone, cement or brick?
When they need our attention
They crumble for repair.
In winter a storm will blow them over.
Make gaps for geckos and hens.
Can you see the creatures scurrying
Passing two abreast?
Robert Frost loved walls, and said
They make good neighbours
Especially if they talked,
Had one’s garden trimmed,
Kept apple trees to one side
Pine cones to the other.

Do you love walls?

Bounty

Bounty
Prose Poetry

The Five Lives of Ms Bennett

The Five Lives of Ms Bennett
A Family Saga

The Ozone Cafe

The Ozone Cafe
White Collar Crime

The Last Asbestos Town

The Last Asbestos Town
Available from Amazon

Evangelyne

Evangelyne
Published by Australian Poetry Centre, Melbourne

of Arc & Shadow

of Arc & Shadow
Published by Sunline Press, WA

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Perth, Western Australia, Australia
Helen Hagemann holds an MA in Writing from Edith Cowan University, has three poetry books: Evangelyne & Other Poems published by Australian Poetry, Melbourne (2009) and of Arc & Shadow published by Sunline Press, Perth (2013). Bounty: prose poetry is published by Oz.one Publishing in 2024. She has three novels published The Last Asbestos Town (2020), The Ozone Café (2021) and The Five Lives of Ms Bennett a result of her Masters degree at ECU (2006), is published by Oz.one Publishing (2023).

Helen Hagemann MBA (Wrtg): ECowan

Helen Hagemann MBA (Wrtg): ECowan
Author & Poet

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