Sunday, February 26, 2012

Helen Hagemann’s Saturday Poetry Workshop this week 3rd March @ 1.30pm-3.30pm is called ‘Motherland’. The class will look at ways of writing the heartfelt and personal aspects our own country. Class involves further writing exercises on the patriotic/ political & historical heritage of one's original "motherland'. We will be reading and discussing poems by Dorothea Mackellar, Hyllus Maris, Amy Witting, Jo Shapcott (UK), Dennis O'Driscoll (IE), Michael Crummey (CA), e e cummings (US), and Marina Tsvetaeva (RU). Cost: OOTA $15, Non-OOTA $20.  All welcome!

Saturday, February 25, 2012



Visiting Loughcrew

Shock of blue in the sky
after light misty rain.
The fields and drumlins
are a skin of green.

It's warm today for a hillclimb
to a strange cairn
of Megalithic art.

The woman at the kiosk
hands me the key, tied to
a large orange flashlight.
As if this is a passage
back in time.

I've half-circled Ireland
before arriving. Swerved trucks,
narrow bridges, my new hire car
saving my skin.

At the tearooms, cows with pink snouts
share the aroma of my morning
coffee, then send out a message
with the breath of mist.
 
Over the fields, I look down
on more Friesians, craggy hillsides,
dunes of hidden houses, clouds billowing
out like the plumping of bed sheets.
I take the first steps to unknown art
and fall in love with Ireland.

Sunday, January 22, 2012


Lines composed while thinking about the Powerhouse Museum
                                                                    after Billy Collins

How agreeable it is sitting here in Perth
not thinking about St. Mary’s Cathedral,
the Domain or Hyde Park’s flowering morning.
No need to stand in queues for the Museum or

the Opera House with its sarcophagus of lights,
or count the pigeons lunching at El Alamein,
the wrinkled outlines of its spray like saints in glass.
No need to get lost in the streets of Glebe, memorizing

a succession of streets to the Friend in Hand,
or view Picasso’s masterpieces in gallery frames.
How much better it is to be at home in thirty eight
degrees, with the air-conditioner on, books on the lap.

And after the heatwave, a trip to the supermarket
to buy a journal, some pens, to record just how
a monumental sun drags itself down like a dungeon
ball, sets at dusk, a tired rucksack into the night.

             *   *   *

A Spyglass on Sydney

I would have liked to get to know
the city better than three years.

I have so many memories I don’t know
what to do with them. On second thoughts

I’ll move my table closer to the harbour.
My binoculars spin on my neck to get

a better view. Further from the bridge
there’s a bottle of wine on the ferry,

group activities, everyone my age.
I’m reminded of the workplace, shoes

paired in chronological order, wedges
from George Street, platforms from Kings

Cross. There is attention in stiletto heels.
I shoulder my way into Wynyard, for more

shoes. I can learn to dance, in circumspect.
Only at the movies do I face a new problem,

not the sailor, or that Damien never phones.
I’ve left the iron on, and no-one’s at home.

             *   *   *

Home for the Holidays

Home for the holidays and I’m three stanzas
between country air and deep compression.

Up there the clouds are snowfields, icecaps of
Antarctica. From my window, I feel the force
into Mascot. I have a stubborn prune in my throat.

I’ve been away studying Flaubert and Mallarme.
Parents think I’m Judith Enright, but it’s Marco Polo
I am, back and forth, back and forth, amongst

a constellations of random stars. Sydney, the green
blotter of my youth, pimples and Tafe certificates.
Prince Alfred Park where I almost died, tripped

by four iced legs. Sydney, ah! The harbour at dawn,
spinnakers at sunset, seabirds on the Opera House.
The rock stars & concerts I sometimes lost track of.

Let’s leave the house, catch a ferry to the zoo. Hear the
same peacock cry, giving out his woodwind sound.

             *    *    *

Thursday, January 19, 2012

The Laneway

You look back as if into a rear-view image
of Ireland. Seams of light and dark overlap hedge,

stone and field where cows snub noses into turf. 
Tall grasses yield the return of spring. The wind
sounds like a flute playing, and intermittent farm
houses in unkempt orchards are barely seen.
On a two lane highway, you pit-stop
for a moment,
hands firmly clenched on lunch, sweets, drinks.
Coke and juice move quickly through your esophageus,

at least that's the way the body tells it.  Now, the
bladder cramps as one forty kilometres slowly pass
from Westport to An Longfort. No service station in sight, 
no verge on this one way street, until a laneway! 
Time to depress all that liquid into knotweed, the
mind giving you this one clear thought between
pleasure and relief. You're like
a dog wanting to put 
down its scent until a grey car arrives, blocks you in;
farmer or landowner jerking your lead. Shades of dark 
sun glasses walk towards the car. It's not the owner
it's "The Garde!" You're the Australian abroad, caught
well before bare tail reaches Irish soil. Crikey!
Two men approach, clean cut, one stares into the open
window tells you farms are being robbed. You're acting
suspicious. You confess, tall grasses are a great
cover for a tinkle. Wry smiles are withheld under
peaked caps, they hardly stop to blink, back away 
in their unmarked car. You walk into the lane's interior, 
squat long enough to count five cows swishing tails
like batons, black eye patches staring you down.

Thursday, January 12, 2012

Friday, December 23, 2011



Merry Christmas and a Happy New Year to all my friends, followers, readers, sneak peekers! More poetry to arrive in 2012. I am currently working on an e-book for you to read about my sojourn & writer's residency in Ireland (produced by ISSUU). The e-book will contain poetry, photography and art. Stay tuned!

Recently we found a stray kitten (only 5 weeks old) and the only group who would take it was the Cat Haven. I hope little Smokey is happy in her new home. You can donate here http://www.cathaven.com.au/donate/

Here are my two scallywags!


Friday, December 9, 2011


My Tao Name   

What do you think of my name, Joyous Lake, 
I asked my daughter over the phone, 
when I had finished deleting  
another sex site on my Twitter account. 
A loud burst of laughter followed. It 
descended down the line, over the waterfowl 
paddling the lilies and into the rivers beyond. 
Further still from the poems I had created with the 
Chinese I-Ching, an ancient Taoist symbol. The Lake 
regardless of change can achieve tranquility in 
disturbance, Chinese scholars say. Why can't 
"Bliss" and "Jude in the Mood" tell this apart 
from a whorehouse of sexual arousal. Nothing
surprises me in this virtual world, these ladies
imagining 'Joyous Lake' as a red light district. 
Might they compare the deeper soft petals of silk,
black-stringed corset to a lotus flower on a lake,
magpies in taught suspendered trees, caroling.






Wednesday, December 7, 2011



 









Fireworks

They slumber in their corners,
In soft light, till the wind lifts
Till a first spark propels them away.
Into the new century or year
They rise half blown, exploding sombreros,
Wide-brimmed hats, ribbons of colour.
Fireworks, caught in the moment,
Pulled into voluminous splays
Of fire, handwriting the night.
Adorned by the moon, and the soft
Hands of stars their memory
Drifts onto children’s faces their small
Fingers languidly pointing
To the sky.

Sunday, December 4, 2011


Repainting the Scream

How pretty fine it is to be born
under a blue sky. 
To watch garden roses unfolding 
their 'double delight'. The ones 
crimping out their pink skirts, 
giggling in the wind ─  
their cream undies showing. 
How terrible, then, an expression on a face, 
standing on a bridge, swirl of dark water beneath, 
a red sky full of pain. And so many 
steadfast hours going into the work 
of a silent, yet unsettling scream. 
Nothing about Edvard Munch’s scene 
will ever change. Yet, I want to repaint 
that unhappy face. Swirl his body around, 
zero in with just a tiddly-wink of smile. 
The bridge gone, water gone, blue sky 
now shouldering disheveled dobs of cloud. 
I want the man to see exquisite
lady beetles burrowing into double delights.  
I want his eyes looking out on this urban 
garden where rough beds thirst and the 
stocky butcherbird on the tippy
buoyancy of a branch, sings.

Friday, November 25, 2011

This is the front cover of the latest anthology from the Melbourne Poets Union of poetry about tea, wine & coffee (however, I'm still waiting for the book to be listed in bookstores for real cover). Nevertheless it's a beautifully presented work by many well known Melbourne poets, and I'm proud to have a poem in there called "Left Over Wine". Here's part of the poem only, because the anthology would make a great Christmas present.
Contact MPU for details.


Left Over Wine

   it's fragile
and rehearsed in this mind cask
home pleasures are like the sentiment
of crisp, summer wine

it mouths get help!
so you dive unexpectedly
into the freezing brook
through wooded trees
          perfectly still
only you've had more wine than usual
and distortion wins

the grass is intense
and there's plenty of green
it's like having a bottle
          you've saved all these years

blackberries hedge the railway bridge
          mulberries give a whole new meaning
          to bottled jam
          the purple avenger stays before tea
you say 'no' to this dream in your head
it's a letting down of home-field
the school team
you approach fewer each year

you let the grader scrape the voices in the glade
swing the river rope you missed
          hold your breath longer under water

you can't remember how many silkworms you kept
or when the blackberries disappeared
          but the wine tastes sweeter than it used to

the old neighbourhood has disappeared in brick
the weathercock is a stable dish
and backyard pickets no longer talk

          you turn over, wake in a different world 

Saturday, November 19, 2011

Saturday Poetry Workshops were successful at the Grove Library in 2011 and OOTA will again offer this after-hours course in 2012. Tutor, yours truly, Helen Hagemann.

It will consist of fortnightly Saturday Poetry Workshops for casual participants. Each Workshop will introduce contemporary poetry for those poets wanting to write contemporary poetry.

Participation in the Workshops will cover the study of poems, discussion and several writing exercises. In a recent survey the consensus was that most writers wanted to continue with the same 2011 format, with a minor introduction of the classics and traditional poetry and its forms. Poets wishing to attend can view the times and dates on the OOTA blog (Out of the Asylum Writers Group) and also Writing at the Centre blog. Classes are earmarked to start in 2012 on Saturday 4th February. 1.30pm-3.30pm.

The Grove Library now has a coffee shop and we will continue to incorporate this social side of our poetry group after class.

OOTA Click here for more information
Writing at the Centre Classes

Monday, October 31, 2011

Saturday, October 29, 2011




Her Blue Dress
                      for Janice

You will want to know
the season
how a gown can slip itself over nose and cheek
and be visible from art
how Emily Dickinson stood by a window
pressing her pink hips
through a passage of time
lifting a blue taffeta dress
over her shoulders
to reach
cool, upturned toes
where poems lay like stepping stones
on the hardwood floor.
The long blue dress
was too big for this slip
of a girl
but she proceeded down the hall
where a mirror
motioned her to look
at the poet she would become.

I was instantly drawn to Janice's artwork at the Tyrone Guthrie Centre, Annaghmakerrig, Ireland where we met and were housed in rather large cottages.  Her series included separate paintings joined as one.  I have used one panel only from her work titled Thoughts of Stones to represent a mirror and a blue dress. I saw Emily Dickinson's blue dress inside the painting (and, I guess, I was also inspired after reading Billy Collins' poem Taking Off Emily Dickinson's Clothes

So there we were ( including Rebecca Crowell from Wisconsin- another fine artist!) each in our separate units, inspiring each other, and both encouraging me to visit the Megalithic art at Loughcrew.  I have many more poems to come!  Janice's Thoughts of Stones and her full art work can be viewed at Janice Mason Steeves

Thursday, October 27, 2011

Tuesday, October 25, 2011


Three poems published today in Eureka Street. Must be the luck of Ireland still on my shoulders. Thank you Mr. Tyrone Guthrie for bequeathing your house to artists. What a wonderful place it was, the people more so. I now have lots of Irish friends and others too, from all over the world! The Tyrone Guthrie Centre
You can read the poems at Eureka Street
Poems are also read by broadcaster Peter Thomas with the gorgeous radio voice.

Friday, October 14, 2011

The Return of Saturday Poetry & A Possible Hands-Up Count
This is a hands-up count to those of you who are interested in attending Term 1 of the fortnightly Saturday Poetry class at the Grove Library in 2012. The library is once again very supportive of OOTA and is requesting a confirmation from me regarding the booking. (Apparently the Flax room is in high demand for 2012!). It would be great to secure our original space – that lovely quiet room with the plush-red chairs!
Once again this class is "drop-in-style, no booking required". Saturday Poetry is suitable for community writers/ OOTA regulars, part-timers and casual attendees. So you can go off on holidays when you choose and we will still be there when you get back!

• Dates: 4th February to 7th July, 2012 (Saturdays & fortnightly thereafter) TBC
• Time: 1.30pm to 3.30 pm.
• Where: The Grove Library, 1 Leake Street, Peppermint Grove.
• Cost: $15 OOTA Members $20 Non-OOTA members.
• Class numbers required: minimum 6 – maximum 10

So here are the questions as a sort of poll to gauge your interest about the class. Please feel free to answer all of the questions or as little as you want.

• Does the time suit you?     Yes / No
• Are you happy with the cost?    Yes / No
• Do you wish to mainly workshop contemporary poetry?  Yes /  No
• Would you like Readings or Workshopping each other’s poems introduced? Yes / No
• What about more of the Classics, Traditional Poets, Traditional Forms? Yes / No
• Other – please feel free to add further comments

You can add your answers in the comments section below or alternatively for privacy & confidentiality you can email me at hagemann.helen@gmail.com

Many thanks for taking the time,
Helen Hagemann

Tuesday, October 4, 2011

Bull’s-eye

The whole house turned wild
took a deep breath
with the noise of it
like snapped wood

It was before the dartboard
before father fixed a flywire door
before anyone thought
of a startled death

My young brother
too sick of dying
from archaic flow of arrows
from Robin Hood’s deathly yowl
from behind the staghorn wall
where a graceful thrust of sword
pinched him to the floor

took
the sharpest tool from the shed
and with a garrulous burst from the woods
cried ─ ‘Bull’s eye, you're dead!’

Missing the older brother by an inch
the knife split the wood
writing the veranda door
back to a Celtic myth

My young brother vanished
for most of the week

My older brother
sucked awe through his teeth
gauged the battle scar

This was what he wanted
to stand
as one peels back armour
in pride of his life
saved

Saturday, October 1, 2011

Camping

We pack after Christmas,
a band of pilgrims heading out
on the open road.

This is the best time of year when nights
are full of stars and clouds have slung
their guy-ropes across another town.

Cruising Walpole, trees cast their long shadows
like mesh across insects and streams. We explore
pioneer camps, axe handles in old markings,
phantom footprints of an agreeable time.

We have the night sky all to ourselves. It warms
us like saplings around the glow of fire sparks.
We join the moon couched in tangerine, all
asleep under the heavens and all tucked in.

Now, this is something different. The children’s
grown-up diction makes bittersweet an absent
father, a Ted Hughes. And echoing Plath’s words,

The man was a lion and had the voice like the thunder of God.

But none of this can be wasted. It’s part of time, the memory
of young children fishing, coursing mountain walks, spider
webs that hung their sticky tremble on narrow paths.

Our surfcat leaving the shore, the dog’s abandoned bark
filling the bay, his black body slapping forward in a confusion
of wind and wave, as we sailed further away.

Thursday, September 22, 2011

Kewpie Doll

            And nothing that moves on land or sea
           Will seem so beautiful to me
– Equestrienne, Rachel Field


Little doll, carried home from carnivalé,
rustles her Giselle skirt in the wind.
She is as old as Ray Lawler's
Summer of the 17th Doll.

Her faded lipstick pouts an "O" as the mouths of girls,
words forming seduction in their heads.
She has lost her wand, her diamond ring
but not her good luck charm.

At the windowpane she raises her suppliant wings
and reaching for the stars
taps her ballet shoes against glass.
Fairy wings dispersing dust, as if she is back there

circling the Ringmaster’s voice
body upside down, pointing toes in the air
         - a girl in pink on a milk-white horse
           cantering over a sawdust course.


I just love the names of these northern Irish towns. e.g Cootehill, Clones, Rockcorry. I'm in thick pastoral country, a rich green canopy of trees, cows and emerald fields. The roads are like winding narrow pathways. Suddenly you come into a town, like a time-warp, Irish architecture as solid as its stonework frontage. Immemorial, its land and its culture dating back to the Late Stone Age. No big shopping complexes here, just traditional shop fronts, with pubs along the street, just a few paces with your feet and you have a bar, then another bar, and a bar & grocery shop!


Bounty

Bounty
Prose Poetry

The Five Lives of Ms Bennett

The Five Lives of Ms Bennett
A Family Saga

The Ozone Cafe

The Ozone Cafe
White Collar Crime

The Last Asbestos Town

The Last Asbestos Town
Available from Amazon

Evangelyne

Evangelyne
Published by Australian Poetry Centre, Melbourne

of Arc & Shadow

of Arc & Shadow
Published by Sunline Press, WA

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MBA (Wrtg) ECowan

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Perth, Western Australia, Australia
Helen Hagemann holds an MA in Writing from Edith Cowan University, has three poetry books: Evangelyne & Other Poems published by Australian Poetry, Melbourne (2009) and of Arc & Shadow published by Sunline Press, Perth (2013). Bounty: prose poetry is published by Oz.one Publishing in 2024. She has three novels published The Last Asbestos Town (2020), The Ozone Café (2021) and The Five Lives of Ms Bennett a result of her Masters degree at ECU (2006), is published by Oz.one Publishing (2023).

Helen Hagemann MBA (Wrtg): ECowan

Helen Hagemann MBA (Wrtg): ECowan
Author & Poet

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