Friday, May 17, 2024
Saturday, January 6, 2024
Saturday, January 06, 2024
Helen Hagemann
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The Ozone Café is about three separate owners of the café and its demise through political corruption.
Hagemann delivers a vision of 1960s and ’70s life in a small NSW Central Coast town. The novel is a homage to a café of the same name and of a distinctive P&O design in her hometown of Ettalong, New South Wales. It is also about the struggle of past and present cafe owners to save the cafe from demolition. Here are my cafe owners: -
Vincenzo Polamo, a Calabrian, builds the Ozone Café with his builder-brother in 1957 in fictional Satara Bay. He meets three children, Winifred, Casey, and Nicolas, creating a seascape mural on a café wall that includes them. The café changes from Italian to Australian cuisine. However, due to long hours of hard work and Vincenzo’s wife unwilling to migrate to Australia, Vincenzo sells the café.
Joe Pendlebury suffers setbacks with too few customers, poor health and problems due to a violent storm causing structural damage close to the mural. In major scenes, Pendlebury goes missing, and Nicolas dies from muscular dystrophy, heightening Winifred’s concerns to keep the mural sacred.
Con & Dion Lasaridis experience problems with the damage. Unable to convince the Heytesbury Shire the café is sound after a rebuild, they lose ownership in a court battle; the Shire evoking a Demolition Order, 1946. The Lasaridis believe this is due to an undercurrent of well-known council corruption; Mayor Tyrone being a principal player in corrupt land and property dealings. Vincenzo (et al) removes the mural reinstating it at his home. The mural becomes a lasting memorial to Nicolas Battersby, as well as the sole surviving piece of The Ozone Café.
At the time of commencing the novel, I had very little to go on. Then half-way through I discovered a pic of the Ozone posted on Gosford's Historical Library page on FLICKR. I therefore acknowledge the library Gostalgia, and that I have been given permission to use the picture on the cover of my 2nd Edition of The Ozone Cafe. I am also grateful for the research carried out by actor Felix Willliamson (son of playwright John Williamson) in his search and playing the role of Phil (the Jew) Jeffs in Underbelly Razor - a TV mini series.
Gostalgia: local history from Gosford Library
Phil Jeff's house, with cafe beneath, Ettalong.
The above photograph was taken by Press photographer Sam Hood. It is believed to date from around November 1945, when Phil "the Jew" Jeffs died in St. Vincent's hospital in Sydney. He is buried in the Jewish section of Rookwood Cemetery, under the name "Phillip Davis". The building is of a style known as "P & O" an interwar style that reflected the architecture of a ship's bridge. Unfortunately this building has since been demolished. Aerial photographs from 1957 reveal that Phil Jeff's former house was on the corner of Beach Street and The Esplanade, Ettalong Beach, near Memorial Avenue. The house faced due south, looking straight out to Broken Bay and Lion Island.This was THE prime spot for views in the area, and the site is now the location of Mantra, Ettalong Beach. Nothing remains of Phil Jeffs house in 2011. A brief report of Phil Jeffs death can be read at:nla.gov.au/nla.news-article56436952 Another former Razor war criminal, Kate Leigh, was embroiled in an assault case at Woy Woy in 1931.Read about this case on the Trove newspaper website:trove.nla.gov.au/newspaper
COPYRIGHT MATERIAL (c) 2024
Friday, September 15, 2023
Friday, September 15, 2023
Helen Hagemann
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BOUNTY is set for release as an ebook & print book around mid-October (after the school holidays) I intend to launch the collection at the Moon Cafe, Perth WA. However, it may be the end of the year or early 2024. The print book will be available at all good online bookstores. Stay tuned for a SUPER DEAL on Amazon!
Here's a sample poem.
BOUNTY Synopsis
This collection Bounty is a two decade long exploration of prose poetry. The form has allowed me to explore a multi-layer of styles and preoccupations within the genre. The collection as three separate sections and progressions range from the everyday life of the familiar as in Section 1 – Bounty that explores some common place objects such as rugs, cushions, cups, vases, clothes, cars, churches and houses. Section 2 – Cultural highlights the experience of travelling utilizing various mechanisms of language. Section 3 – Avant.
is inspired by my university studies of Gertrude Stein especially her subversion of the conventional use of language. While Stein’s unconventional work was ‘language as cubism in a distorted framework’ where the reader makes meaning, my poetry encompasses some experience, meaning or message.
Three poems in the first section Bounty have been inspired by paintings from disabled artists during my participation in the 2009 Creative Connections program.
A small selection of the prose poems has been previously published, work-shopped, reviewed and critiqued in a 2021 Frontier Prose Poetry Project. I received a favourable response from Prose Poetry Editor Jose Hernandez Diaz who ostensibly praised four poems: Bridge, Church, Hotel and Market. He has since provided me with a quote for the book.
The voice lingers playfully in reverie, as many speakers in good prose poems do. There is a lot of experimentation with the force of language and sound. Bravo! - Jose Hernandez Diaz, author of Bad Mexican, Bad American and The Parachutist.
I also wish to pay tribute to ARTerra Portugal and to the administrator, Mickey for a wonderful time at the Lobäo da Beira Residency and our excursions. The front cover is a snapshot of one of the unique streets in the town. I wrote several prose poems about my time in Portugal, with a memorable highlight attending a Fado concert in Coimbra – the University City.
COPYRIGHT MATERIAL (c) 2023
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Tuesday, June 27, 2023
Tuesday, June 27, 2023
Helen Hagemann
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I am now
in control of publishing future work, ie. poetry, how-to books and novels
through an imprint titled Oz.one Publishing. When I
completed my Masters in Writing in 2006, technology as far as self-publishing
goes was not as far advanced as it is today. We have online publishing
companies such as KDP, Ingram Spark,
Draft2Digital, Lulu Publishing, Smashwords, and many more. I have been lucky
enough to use Canva Free to publish my covers, (great guys! -thank you) and so
an author can have a professional looking book, both as an ebook and paperback.
THE
FIVE LIVES OF MS BENNETT
Being connected to a group of US authors on a Facebook Page, several
discussions revolved around self-publishing under your own imprint. So after
some serious work on my MA Novel The Five Lives of Ms
Bennett self-publishing the work on Amazon KDP as a Kindle
book, and also as a paperback (Print-on-Demand) has been a breeze and a
joy. Released in February 2023, I'm endeavouring to promote the book on
all my social media channels and through online advertising. There is something
really magical about being in control of your work this way, and also having
your own Imprint. The idea is mainly that not only does your logo look good,
but through Ingram Spark you can gain more distribution access to worldwide bookstores,
libraries and online sellers. It’s a kind of – kudos – currently as
the stigma of being self-published has been removed and replaced with you being
an Indi author.
THE LAST ASBESTOS TOWN
My debut novel, The Last Asbestos Town is
now published as a 2nd Edition. There has been a few changes in the text and
also I have designed a new cover. I prefer this one to the first. There is
something quite satisfying about spending heaps of time: designing a new cover,
re-working or improving the text, uploading all the parameters of trim size,
margins, table of contents, headers & footers, and when finally your effort
goes through and is approved, well, there it is – a new book with a new look
that you have designed yourself.
It still begs the question: Will these books sell as self-published and as a 2nd Edition? Of course, there is much more work to be done. I haven’t reinvented the wheel, but I have new products to sell and also obtain as many reviews as possible.
Check out all my books, including poetry on Amazon here
Sunday, May 7, 2023
Sunday, May 07, 2023
Helen Hagemann
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According to the experts “images” instead of “text” help readers when it comes to their buying decisions online. Amazon KDP now allows authors to upload advertising content to enhance their book information and to increase sales. You can upload pictures, text and videos into “Modules”.
I have uploaded three modules. The first is a banner that shows a picture of me as an author together with my author central contact where buyers can read my bio. Three separate pics & a third includes all my books. All my books are available at Amazon.
Saturday, April 15, 2023
Saturday, April 15, 2023
Helen Hagemann
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A GRIPPING STORY OF ENDURANCE
This heart-warming and intriguing novel will have you cheering for Ms Bennett as she navigates away from an unhappy marriage towards a new love!
The Five Lives of Ms Bennett is a historical, coming-of-age, family saga. It’s about the struggle of a young Australian girl, fed up with her hometown life, only to find that the big city doesn’t exactly hold the dreams she wishes for.
Themes
Five Lives: Five Decades
In the extension of Ms Bennett’s contemporary lives there are issues such as family loyalty and trust, the vagaries of money and wealth, family jealousy and fraud, domestic violence, alcoholism, rights to education, equality and freedom for women.
Friday, February 17, 2023
Friday, February 17, 2023
Helen Hagemann
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Grandma’s
Chocolate Tin
Story 1: Stories from the olden days
Gran shuffles the old photos in her chocolate tin. When she draws a cracked photo from underneath the pile, the old woman withdraws into other corridors. Three men in full uniform, double-breasted velvet jackets and high boots, have their heads bowed. Particleboard lies beneath their feet. Steps lead to battered doors; in a side annex, minor scorching. One man is smoking a rollie. The rest look pitiful, shoulders and mouths drooped. Her granddaughter thinks the burnt building resembles the black-stick house near the beach.
Alice waits for Gran to call her nickname; twirls her three bangles, watching for signs that Gran’s eyelids have lifted. She has come to know this scene, the charcoal in the grate sparking a new flame with just a little prod. She counts her grandmother’s stitches, the number of times the right forefinger loops the wool, clicking her heels and tapping her leather shoes on the concrete path. In this place together, they are apart. Alice bumps her grandmother, making her drop stitches. In the silence, she plucks blades of buffalo grass, crisscrosses them like a paddle-pop raft. An old straw hat balances on the geraniums. She thinks Grandpa might soon jump back into the picture.
‘Is this where you had the pump?’ asks Alice, pointing to the old tank-stand. More clacking, the scrunching sound of wool escaping as Edith unwinds the ball from her knitting bag. ‘I used to play under there, Gran. Look here, Gran.’ Alice taps the tank stand with a long piece of doweling. ‘With matchsticks. I lit one.’
‘You didn’t want to start a fire, did you?’ Edith raises her eyes over the rims of her glasses.
‘Nah. Not really.’ Alice sprawls close to her grandmother and snips clover with the scissors. ‘Did you ever see a really big fire with Grandpa in that fire engine?’
‘No, women weren’t allowed.’
‘Oh.’
‘It was bad luck in those days.’
‘Why?’
‘There was always bad luck.’
‘I like firing matches. Whoosh!’ she giggles, imitating the strike.
‘Don’t you dare, Alice, or I’ll tell your father.’
Alice twirls her pink hoop until it catches on her cardigan. She leans back on the top step, placing herself inside the plastic toy.
‘I made ‘em plenty of cups of tea in my day,’ says Edith, resting her skeins. ‘They was always awake because of me.’
‘Was this your house, Gran?’ says Alice, holding the photo.
‘Yep. See those roses out the front, every colour of the rainbow. I loved that old house and garden. Trouble was it was too far from the beach.’ Edith wrestles an aching foot and straightens. ‘Fire Station used to be an old barn till they renovated it. Your grandfather spent long hours in there, checking and re-checking the equipment, tuning the pumps and making the truck ready, just in case. It was one problem after the other.’
‘Did he burn his fingers?’
‘He got his whiskers singed plenty of times. I remember the big one. It was a miserable job. Half the Spit Junction was burning. Like a wood-yard, your grandfather said, full of timber ready to go.’
Alice imagines a bush fire like the logs that tumble and fall in the lounge-room grate. She likes the sound of snapping wood that sends sparks up the chimney. She is glad, too, that Gran is still making scones and cups of tea for her, that everything is much the same; except they don’t have a fire engine to climb on, or a garden of roses.
‘I don’t know why, but he kept these journals.’ Edith lifts the book from the bottom of the suitcase, dog-eared pages falling from stitches. ‘Here’s a good story,’ she says, balancing the large book across both their knees. ‘It’ll help you understand your grandfather.’
Warringah: Griffin Road, 1934. Minor property damage.
When we got there the hill along Griffin Road was yellow and smoky. Left Laurie and Bill in charge of the hose checked out the back of the sheds. The fire was already frisky in the button grass. Luckily the lantana and eucalypts further in hadn’t gone up yet. A lad from the factory rolled up with his truck to help the owner remove some crates from a big stores shed. A few fences needed to be soaked. I got the volunteers onto that one. A strong nor-westerly blowing didn’t help things much. The stacked drums, full of petrol, kerosene and turpentine was our biggest worry. We could hear the petrol simmering inside, the drums swelling with the heated pressure. All the boys and I could do was try and keep the drums cool. We were under control as the other men outside and further up in the long grass begun to get onto the fire and we won the fight.
‘Oh, goody, they won.’
‘Yep. They won that day, but the next week there was all hell to play. The storekeeper, old Snowy, came skidding up on his motorbike in front of the house while I was in the yard. Well, he rang the bell and woke the men. The fire started down at the Surf Club where they kept all the surfboats and boards. There was a fish and chip shop, a tackle shop. The whole lot might have gone up.’
Alice waits, as Gran wipes the ridges of her eyes.
‘There were people everywhere, sirens wailing, women, old fellas, boys outside the double doors. Of course, they weren’t allowed in. They just ran with the fire truck all the way up Evans Street, dogs yapping at the tyres. I noticed your grandfather was having trouble with his pants and belt, but didn’t take any notice. The men soon found he wasn’t well. He was slumped over his office chair; coat half off, ledger books all over the floor. In the panic of it all, they took him to the doctor’s first. Had to wake him up. Doc kept shaking their hands. The boys said he was pleased it wasn’t his place going up.’
Tuesday, January 3, 2023
Tuesday, January 03, 2023
Helen Hagemann
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I know that poetry lovers like writing poetry, reading poetry, using poetry at sensitive times like at weddings and funerals, but not many "BUY" poetry. I think they are missing out, as authors have spent a long time studying poetry, gone to great pains to increase their word knowledge and have learnt how to condense languare into minute story parts. They say it's one of the hardest genres to write, and it is time consuming with little reward. One of the reasons why I moved over to writing novels.
So now any readers out there, if you're engaged in the Kindle Unlimited program, my 2 poetry books are ebooks and are available for $0.00 in the program - for three months commencing on 1/1/2023.
I would love to see some sales. 70% @ $2.99 equates to approx. $2.10 (AU) in royalties. AND I won't be laughing all the way to the bank. :)
Saturday, September 3, 2022
Saturday, September 03, 2022
Helen Hagemann
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READERS! You can purchase my novel The Ozone Cafe for $0.00 on Kindle Unlimited. This is a program designed to help authors and offers readers a wide selection of ebooks up to 40 to borrow for $14.99. I think it's a good deal as while my book is on offer for free, apparently, I will still get 70% of the Kindle cost $11.53 as royalties. I have joined for two months, enough time to guage whether the book has generated some interest. I am also amongst about a zillion other books and hundreds about cafes so the odds are against me. I just need one or two readers out there in the WWW (World wide Web) to read and review. I sound like I'm begging don't I? Not really, I'm just trying all sorts of things to keep the novel relevant. This program is part of my ongoing promotion and if I don't do it, no one else will.
Bream Street: circa 1946
Part 1
It was perhaps the first time a freezing sensation had overwhelmed him. Age had run into his iron bones and most days he couldn’t get out of bed. Not that anyone would notice, living alone all these years and he’d left retirement too late. It was only the fishing in Satara Bay that had kept him going, his beach cottage central to everything, and his blue-aproned chums. He couldn’t bear that terrible noise again in his head; a bell was ringing pulled by a string. He didn’t want this to happen tonight. Not tonight at the Grand Master’s presentation. How many years had it been? Seven, he recollected, seven slow years waiting for the position of Vice-Grand Master. All eyes would turn on him. Stan the Man, they jokingly called him. But when it came to his carpentry skills, they almost bowed in adoration.
He dressed in his Masonic
regalia, and opened his case checking the contents. The details were there for
the Spring Ball, his launch speech, invitations to dignitaries, parents and
members. He patted the envelope before clicking the locks. He would be proud to
introduce the debutants.
It was only 6 o’clock, so
he decided to take a leisurely detour to the Esplanade Hotel, have one or two
pints for Dutch courage.
The terrible noise started
again, more than one bell. He was still cold. Winter that silent oppressor. He
sat in the beer garden looking out to sea. He couldn’t make out the demarcation
line of the horizon with a rising mist coming in, the edges of sky and ocean
near the Heads melding into one landscape.
He hummed an old Irish
tune. When he finished his second pint he started walking towards the shops,
past the Diggers’ hall, the housie-housie shed and finally turned into the
front yard of the Masonic Lodge.
‘Nice evening, Stan,’ said
an old friend, slowly ascending the steps with a wooden cane.
‘How’s the back?’ asked
Stan.
‘Oh, you know,’ he replied,
knocking out one of his legs to keep moving, ‘can’t complain.’
The ceremony began at 8
o’clock with a three-course meal. After two new Apprentices had been initiated
into the Kingdom, it was time for the presentation. This time, Stan could hear
an orchestra of bells where there was none. He managed to be bold and so stood
behind the microphone, a little wobbly at first. It was his duty to swear
allegiance to the brotherhood; to wear the colors of Vice-Grand Master with
pride.
A growing tiredness
overcame him, and giving his excuses he left the Masonic Hall alone. A thick
fog covered the sleeping town, and at almost midnight, intervals of rain began
spotting the pavement and the blue of his coat. He hurried home.
When he arrived on the
landing of his front porch, he sensed someone in the shadows. There were no
street lights and something stirred behind in the dark. Silhouettes and shapes
in the gloomy night, then a heavy army of three men dominated his bent frame.
He moved his arms out to stop them, but their wild punches struck. He could not
fight them off. Beyond some distant
shore, Stan the Man knew that all the bells had stopped.
Saturday, August 27, 2022
Saturday, August 27, 2022
Helen Hagemann
No comments
My 2 poetry collections are now available on Kindle, Evangelyne & other poems and of Arc & Shadow. [They are even cheaper than a cup of coffee!]
Poetry is not so popular when it comes to the buying public, however after having bought American/International poetry collections on Kindle such as Mary Oliver, Li Po, Ted Kooser, Billy Collins, Lorna Crozier, and Sharon Olds, I thought it was about time I would upload my (hard work) also to Kindle I Trends change and kids are always on their ipads. They’re the next generation of readers. Check out my Kindle Author Page, on Amazon where you can buy my 2 collections.
This has now given me the impetus to publish all my ”unpublished poetry” – it’s so fun to see your hard work on Kindle. It’s as if the work has been given a second life! I have a collection of prose poetry titled Bounty and a children’s poetry collection, Miniscule, inspired by the French TV mini-series called Minuscule. I intend to self publish these two collections and possibly have both editions of print and ebook.
Here is a sample of what's to come - a poem from MinisculeFriday, March 11, 2022
Friday, March 11, 2022
Helen Hagemann
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I have recently tried (once again) to create a reasonable book video of “unboxing books”. Not only have I spent a lot of time, and tried to edit out BLACK COCKATOOS (yes, loud rasping from them in a neighbour’s olive tree) in my first attempt, I also discovered that WORDPRESS made it difficult to upload in media, (haha although problem solved). In a recent post I managed to upload my video in the *text section*. Never give up folks!
Also, I do have two other BLOGS and have uploaded same video to https://helenhagemann.wordpress.com and https://helhagemann.blogspot.com/
So, apart from these frustrating promotional ideas, I am quite excited to receive a number of copies of The Ozone Café and will have a book launch on Saturday 26th March, at the Kingsway Bar & Bistro @ 12.30pm. Book signing/ $25 cash only. Bar tab. Covid restrictions must be seated & certified. All welcome!
The novel can be purchased from me, the author on the “Buy Books” wordpress page & also from amazon.com.au who offer a free postage deal.
The Ozone Café is about three separate owners and the demise of the cafe through council corruption. Set in a fictional town north of Sydney, the author brings to the novel her memories of growing up in Ettalong Beach NSW and visiting the cafe as a teenager.
From a review by Richard Regan on Amazon Australia. “At the heart of the novel is the Ozone Café itself, the loving creation of Italian migrant, Vincenzo Polamo, and treasured possession of its subsequent two owners. Their intertwined stories revolve around the café and the three local children whose images are immortalised in its courtyard mural.”
Sunday, January 2, 2022
Sunday, January 02, 2022
Helen Hagemann
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Also available from publishers Adelaide Books, New York, USA
The following chapter (in part) is the construction of the cafe.
Chapter 12
☼
After a few days
the beery smell of the fermenting orange trees began to disappear. It took
several truck loads to cart away the old house, taking with it the shed, the
old laundry, bushes and two large palms.
Vincenzo visited the site every day. The concrete slab gradually turned into
walls, and the walls grew upwards, and steel rods that were stressed into the
first floor became the second story, then a third. By degrees, the café spread
its tentacles of light and dark. And once where there had been an open blue
sky, the space filled with windows and doors, the inside walls becoming a
stark, white interior.
There were days when the generator broke
down, the men shouting at one another, joking around while waiting for renewed
power. A constant noise fractured the Esplanade with screaming machines
dispersing sounds of sawing, drilling, and banging. Added to this, Pomadina barked
when a subcontractor’s dog yapped incessantly from the back of a ute.
Silence only existed out where the bay
glowed, and when the rotating flash from the lighthouse descended on the walls
and low rooms, a luminous moonlight painted a backdrop over everything that
became solid by grace and spirit, by song and sovereignty. For house and home.
For a café where there was none.
Rennie advised Vincenzo that one wall had to
come down. It had something to do with the lay of the land and compaction, but it
was better to get it right. His account of the problem did not disturb Vincenzo.
He was more than happy to observe the café taking shape, his spiral staircase,
the strength of the building in rendered brick, the curved corridors of the
upstairs bedrooms taking on an interesting chamber appearance. The structure
became his space through the temporal vagaries of winter to spring, from spring
to late spring, then early summer. A concert of colors went through his head as
he began to design the main eating lounge in the café. Red. Red would be the color
of table tops and benches, bringing warmth down into the area from the café’s
one and only high ceiling.
Vincenzo ordered light fittings, counter
tops, four-seated cubicles with studded bench seats, a leather lounge suite and
wall lamps. His main vice was the purchase of the best cooking equipment he
could find in Sydney. He treated himself to Wiltshire knives, two fridges,
Condor plates, cups and bowls, stainless steel pots and pans. He ordered a top-class
espresso coffee machine made in Italy and purchased a twin oven from a local
supplier. Closer to the building’s completion, he chose an off-white paint for
the exterior of the building and a cream vanilla for the interior.
Saturday, December 25, 2021
Saturday, December 25, 2021
Helen Hagemann
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The Personal Story behind the Ozone Café
The old black & white photographs might reveal a little of the setting of my 2nd novel The Ozone Café. The literary world often states for writers, “write what you know”. I have used my hometown in the setting of the novel, however the names have been changed to protect…yes no novelist wants to be sued or face undue litigation esp. when one writes about a corrupt shire. It was common knowledge in the area, that because the Ozone Café sat on prime property (a stone’s throw from the beach), it attracted the moguls and thus disappeared through dubious means.
Ettalong was and has always been a small community lifestyle: a population of less than 5,000, an older community with shopfronts like the cake shop, chemist, newsagents, banks and supermarket. It hasn’t changed in 50 years. There’s fishing, prawning, oysters in the myriad of waterways that is known as Broken Bay which sprawls to Gosford and is known as the Brisbane Water District. What has replaced the café is a very large monolith resort-type building that I understand is not liked nor valued by the locals. Well, it’s a holiday venue for the “rich”.
I went to Ettalong Primary, and then later attended Gosford High School. As a teenager and even younger I frequented the café with girlfriends, esp.one in particular named, Heather. We would have a milkshake, buy lollies, click on the jukebox and if we had any money left we’d slide a twenty shilling piece into one of the pinball machines. Looking back, it was actually a challenge to enter the Ozone café as it was daily occupied by Bodgies and Widgies. They were the rock-n-roll gangs of the sixties, rather harmless, but I guess it was the leather jackets, the chewing gum and sneers that made you feel uncomfortable. Nevertheless, the café was so close to the beach, that after a swim that being hungry we often bought an icy-pole or ice-cream. So, my local teenage haunt was a vivid memory that I would never forget.
When my younger brother, still living in the area, told me that the Ozone had been pulled down, I wanted to write the story of life inside its walls and its ultimate destruction.
The Ozone Café, with three separate owners therefore, is the nemesis of my story and its demise through council corruption.
Saturday, December 11, 2021
Saturday, December 11, 2021
Helen Hagemann
No comments
The Ozone Café, a historical novel with three separate owners, is about the café’s demise through council corruption.
Vincenzo Polamo, a Calabrian, builds the Ozone Café with his builder-brother in 1957 in fictional Satara Bay. He meets three children, Winifred, Casey, and Nicolas, creating a seascape mural on a café wall that includes them. The café changes from Italian to Australian cuisine. However, due to long hours of hard work and Vincenzo’s wife unwilling to migrate to Australia, Vincenzo sells the café.
Joe Pendlebury suffers setbacks with too few customers, poor health and problems due to a violent storm causing structural damage close to the mural. In major scenes, Pendlebury goes missing, and Nicolas dies from muscular dystrophy, heightening Winifred’s concerns to keep the mural sacred.
Con & Dion Lasaridis experience problems with the damage. Unable to convince the Heystbury Shire the café is sound after a rebuild, they lose ownership in a court battle; the Shire evoking a Demolition Order, 1946. The Lasaridis believe this is due to an undercurrent of well-known council corruption; Mayor Tyrone being a principal player in corrupt land and property dealings. Vincenzo (et al) removes the mural reinstating it at his home. The mural becomes a lasting memorial to Nicolas Battersby, as well as the sole surviving piece of The Ozone Café.
Available soon on Amazon & Adelaide Books, New York
Monday, November 29, 2021
Monday, November 29, 2021
Helen Hagemann
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This post is mainly to alert Australian authors about my UNPLEASANT experience using the services of Kirkus Reviews to attract a national, US or international readership.
You may have seen the Australian eBay advertisement on TV called eBay Tuesday where customers who do not use eBay are denigrated. The actor’s spiel is a mantra called, RIPPED OFF, ROZ. Let me tell you if I were to do an advertisement on KIRKUS REVIEWS I would use the same spiel, yes – this author is a RIPPED OFF, ROZ!
Several, well in the main, disadvantages that I have faced by getting published in the United States, New York City, has been due to COVID, the lockdown events, its restrictions, and the disadvantages of being unable to achieve an American promotion of my novel over there.
Unable to travel to New York, I sought the services of KIRKUS REVIEWS. Firstly, I paid for a review. It was so, so. In the opening sentence, my young couple were “feckless”. The rest was slighly positive, except for the very negative comment by the reviewer saying it was :-
An often entertaining, if unevenly executed, tale of the extraordinary lengths that people can go in pursuit of their dreams.
That didn’t bode well for me, since the idea of a review is to sell the book, esp. in the US. I thanked Kirkus Reviews for their effort, but $400 later, I now realise I was a RIPPED OFF, ROZ!
My other effort was to place a book advert on their website. $1,600 later, I was again a RIPPED OFF, ROZ! Not only didn’t the ad appear the first time, the 2nd time on contacting them asking for a refund, OR what transpired was a second screening in November. Again, the advertisement which was meant to be on several pages as follows, Homepage 970×250: https://www.kirkusreviews.com/ (third integrated) – Review pages 970×250: https://www.kirkusreviews.com/discover-books/fiction (third integrated) – News and Features 970×250: https://www.kirkusreviews.com/news-and-features/genres/fiction/ (third integrated) -Book List 970×250: https://www.kirkusreviews.com/book-lists/ (third integrated) – only appeared a couple of times on “DISCOVER BOOKS” – a quick flash and it was gone! I spent hours scrolling through only to find it twice - once near their magazine and the other above a novel by Isabel Allende.
I have since written to Kirkus, complained that the ad should have been a fixed/static showing for 2 weeks, and asked the ad girl to let the company know about my book ad expectations and criticisms. Of course, a RIPPED OFF, ROZ, should not complain to an American Company – how dare she!
So folks, save your money. Don’t use KIRKUS REVIEWS as your book advertisement will only be A FLASH IN THE PAN, that neither ‘you” or ‘book buyers’ will see.



























