Thursday, September 12, 2013



poker machines

make the darkness light up
it’s a garden of handiwork
screens nothing but a scene
letters    cockatoos   kookaburras
laughing overhead   the poker
truth of music   colour dazzle   happy not
choosing nothing   not even luck
the right hand punches the gloss
notes sidestep   meals   mum & the kids 
your small pocket changes men
in moonlight   black suits holding champagne flutes
your caprice is the roll & drop   of heavy breath
plastic cards discharge
dollars roll down five “K’s”   free spins
peachy!   drizzle more money
into this bird island
no-man’s land that saps
your speech      your time
your path to recovery

Tuesday, September 10, 2013



Update:  10th September, 2013
I have been sent the . jpg cover  which now means I can set up a Facebook author page, post the pic on my website as well as here on the blog. I am really thrilled with the production of the book, esp. the cover which is artwork by Sarah Robey. I have also been invited to read  at "Voicebox" on 23rd September in Fremantle. The other two guests are Morgan Yasbincek and Neil J. Pattinson. I read with Morgan about three years ago when Voicebox was at the Tropicana Cafe, and met Neil and his lovely wife when they first attended the Perth Poetry Club at the Court Hotel in Northbridge. I was reading from Evangelyne & other poems. Neil loved the poem "First Sex" and bought the book. Synchronicity is the word for this next September gig.

Update:  4th September, 2013
Picked up the Proof copy of the book today. It's amazing how from previous days' edits and time in between there are still things to rectify.  My poem titles are all in italics and there were three that were not. Also I have three section pages in the book:  1. Cool Hollows  2. Adventurers & 3. Family.  Cool Hollows (in uniformity) was in italics, the other two not!  Nevertheless I am grateful to Roland Leach of Sunline Press as he's been marvellous to work with. A cool, cool poet.  The cover is absolutely amazing in book form, and the fish are growing on me, or should I say everything is swimmingly good.

28th August, 2013
First Draft of my new book cover arrived today.  I am so pleased that the cover reflects the poetry. The design is built around one particular poem called - Surveyors of Arc and Shadow.  There's a little hitch with the ampersand not being there, but this is minor; also my photo and bio placement on back cover. It's amazing, though, how my publisher Sunline Press is definitely tuned in to the work.

Sunday, August 25, 2013















First Seduction

The bedroom was twin share for the night,
white laced, candles in candelabras,
something out of Madame Bovary.

The covers were tight, close to our necks
the aroma of bodies, invisible.
In passing you said, 'withdrawal'
and I thought of money from the bank.

We began that rib fingering thing
that comes with love, you caging
the soft weight of my breasts in your hand.

Everything took on a different hue
as we smoked a cigarette in the dark.

In the morning the room was clumsy
with cooing, two pigeons bobbing and
moaning on the bed.


Last Time in a Restaurant

Not long after we discussed divorce
we sat at a small table in Caffe Amaretto
in Main Street and were deeply
engrossed in the menu.

You ordered Veal Tortellini and I chose
Di Cesare. We were forever looking
the other way. You looked at a
buxom waitress, while I thought of

a passage from Kant's Perpetual Peace.
Our hands curved away from touching,
like arrows never reaching Athene
from Eros's love charms.

I can't remember how we ever faced
each other. You, with the attitude
never giving up the drink, and I, going
out for fun with the university crowd.

That night we were never close,
and when we reached a point in the evening,
finishing the wine, and folded napkins,
we knew exactly where we were.


Abandoned Love

The sky began to fall,
forming white knights of pearl,
so I held a cup out to catch
thoughts of you.

The porcelain became half full,
filling to streak down the sides,
pooling droplets on my dress
like toes looking for a river.

And again, I was too late ‒
the sky bloomed into yellow crocuses,
the cup empty of you. I hardly hold it now,
lame thing.

Two of these poems have been accepted
into the Poetry D'Amour Anthology (2014)

Thursday, August 22, 2013



My Red Buzz-Box

On the first night,
I sat in both front seats.
A robin ready to wander the linear road.

I drove out under a cloud-ring of sky
and with a sigh unleashed Emmy-Lou Harris
on the console.

Passing motorists heard my song,
and inhaled at the power beneath
my feet. Unloosed and headlong,

I surged into back streets,
matching anything with overdrive.
I took a right, then a right, clicking fingers
back and forth to Boulder to Birmingham
as if this was the only way to un-knot
the silence of the night.

I was one hell of a country gal
dressed in my red voluminous coat.

Monday, August 19, 2013



Toffee apples 


Toffee Apples

In years gone by women
made toffee apples before they died.
They passed the recipe down
through the fruit trees that swayed
and rolled apples on the land.
We collect the apples now from memory,
the heavy branches staring a gloss
of Delicious Reds, crisp, evergreen
Granny Smiths. We leave them in
their skins, the toffee boils in the pot;
a liquid of glucose, castor sugar, cochineal.
Toffee apples form a perfect sphere
like miniature worlds in sticky charm.
Popsticks placed within the core
are like peace flagpoles, one a piece.
Cool and clamped in their tight red bellies
the apples cry out ‘eat me, eat me.’
Sirrrip! The toffee lifts as lip, as ledge
for the mouth’s first bite.
Red balls like the sun, a stitched ball
in your hand, the earth’s red blood.
Crimson candy you have to work your way
into, mouth dribbling a spillway of saliva.
Toffee that can only be eaten
in that first deep crunch,
a crack between teeth
like the breaking of ice.

Friday, August 2, 2013



Sunday, July 28, 2013



Return to Idyll, Avon Valley

You’d forgotten the dimpled hills, stumped houses, tomahawks cleaved in wood. At the end of journey from Reid Highway to Toodyay Road, a gravel drive drops slightly, dividing homestead from orchard. Wheels rock to a stop and memory returns, old troubadours since past, someone’s seduction. The gardens girdle the lush paddocks on three sides. Cockatoos rise up from the flat of the land, a farmer bends for breath, and wood-smoke rises over boundary and fence beyond the fire's first lick. Artistry and quiet have brought you here; time sprawling as a fox might slink lengthwise across a road. The house is an L-shaped bungalow of twelve rooms, the aesthetics of slow-flame, an old reminder of cottage craft, teddies and lavender. Windows override dining tables warmed with sun. Clouds mesh with treetops overhead and the land runs grazed with sheep and lama. How easy it is to go back to this house in winter, the old clearness of Maple leaves, waiting for ripeness on the trees. A spiny gecko runs the brickwork, lengthening his stride as he goes. Lonely? Hardly, while you settle into rocker, occupy each sunroom. You decide to walk later, knowing the neighbour’s dog will unwind its chain, a herd of Suffolks will rise from their folded legs. Horses might gather close to the fence, wait for a proffered hand. What happens is a pattern, the next day, a visit to the battlement of a bridge, pre-war style, engineered never to cleave. Ten years it’s been since you circled the labyrinth, its pathway of stones. You were meant to be solemn and silent, but you heard nothing. Yet, the same rumbling in the mud harkens, a catchment dam where you drizzled chicken pellets, later plunging marron into boiling pots, coming together and parting the flesh. Soon you settle in with a glass of wine, feed dry timber into a combustion stove. Remember the rude laughter of a drunken past. Did you suffer for your art? You think not! The pantry’s the same. So is the kettle for tea, bookshelves with music and philosophy. Lawrence’s jetty he captured for Tidal Town. Reflections croak in the distance, each afternoon a blueprint of the day before. If you’re lucky a blue wren will veer from a hedge, a lama will raise her long neck close to your deck, reticent to shorten the grass. Butcher birds will ring out the bells in their throats, as you relax back into the deckchair of this idyll, comforted by a transitional sky and the granite hills of the Avon Valley.




Pics (c) Copyright 2013




Saturday, July 27, 2013

Wednesday, July 3, 2013



The Peter Porter Poetry Prize 2014 is now open, with prize money worth a total of $6500. This year we will be accepting online submissions for the first time and we encourage poets to  enter online. Also for the first time this year, we will be accepting international entries.
Click here to enter online.
We will also be accepting hard copy entries using this entry form.
The Peter Porter Poetry Prize is one of Australia’s most lucrative and respected awards for poetry, and guarantees winners wide exposure through publication in ABR.

First prize: $4000

Closing date: 20 November 2013

Bounty

Bounty
Prose Poetry

The Five Lives of Ms Bennett

The Five Lives of Ms Bennett
A Family Saga

The Ozone Cafe

The Ozone Cafe
White Collar Crime

The Last Asbestos Town

The Last Asbestos Town
Available from Amazon

Evangelyne

Evangelyne
Published by Australian Poetry Centre, Melbourne

of Arc & Shadow

of Arc & Shadow
Published by Sunline Press, WA

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MBA (Wrtg) ECowan

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Perth, Western Australia, Australia
Helen Hagemann holds an MA in Writing from Edith Cowan University, has three poetry books: Evangelyne & Other Poems published by Australian Poetry, Melbourne (2009) and of Arc & Shadow published by Sunline Press, Perth (2013). Bounty: prose poetry is published by Oz.one Publishing in 2024. She has three novels published The Last Asbestos Town (2020), The Ozone Café (2021) and The Five Lives of Ms Bennett a result of her Masters degree at ECU (2006), is published by Oz.one Publishing (2023).

Helen Hagemann MBA (Wrtg): ECowan

Helen Hagemann MBA (Wrtg): ECowan
Author & Poet

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